British mini-series, The Pembroke Murders, made a splash when it aired earlier this year in the United Kingdom. Directed by Luke Evans and based on a true story, this crime drama revisits a story that traumatized Wales.
What is it about?
In 2006, newly promoted Commissioner Steve Wilkins decided to reopen two unsolved murder cases from the 1980s. Using new technology, Wilkins and his team potentially linked the murders to a series of heists committed in the 1980s. L The perpetrator of these thefts is nearing the end of his prison sentence, but if Steve Wilkins is right, he may be a potential serial killer.
Based on Catching the Bullseye Killer by Steve Wilkins and Jonathan Hill.
The Pembroke Murders, a series created by Nick Stevens with Luke Evans, Keith Allen, Alexandria Riley … Broadcast of the three episodes in a row on Monday August 30 from 9 p.m. on Canal + and available on MyCanal
Luke Evans all in sobriety
Faithful to the tradition of British detective mini-series, The Pembroke Murders is no exception to the rule with its controlled and expertly distilled plot. The austerity of the tone and the decorations also point to the register. Just like the pugnacity as humble as charismatic of the main character: Commissioner Wilkins, played by a Luke Evans who leaves far behind the tinsel and the rhinestones of the big productions in which we have become accustomed to seeing him in recent years.
He portrays a man who is not very expansive, precise, almost manic and who, when he holds a track, never lets go of it with a sole. He is perfect in this almost thankless role, made of self-sacrifice, where he has to unravel a whole story that escaped his colleagues years earlier and which now needs to be treated with meticulousness and the utmost professionalism.
Go back in time
The series, consisting of three episodes, is based on the actual investigation into the murder of Peter and Gwenda Dixon. The couple were robbed and shot while walking on a Pembrokeshire coastal path in 1989. It took two decades for the culprit to be brought to justice, and the series offers an elegant tale of how it turned out. is produced.
There is no doubt about the identity of the person responsible for these murders which is revealed in the first minutes. The prime suspect, a certain John Cooper, is played by Keith Allen – yes, the daddy of Lily Allen and Alfie Allen – which removes any reasonable doubt.
Very quickly, Wilkins connects Cooper’s misdeeds to a series of murders over several years. We then take the measure of the barbarity of this man who has spread in the lives of others like a real plague.
Thanks to DNA – which has helped solve many “cold cases” – Steve Wilkins intends to confuse the murderer. The keystone of the series then lies in this simple question: how Wilkins is going to go about cornering Cooper.
To confuse Cooper with his DNA, you have to find an element that carries the DNA of Cooper but also that of his victims. So Wilkins goes looking for the needle in the haystack. But the boot is as big as a room full of evidence, not all of which can be tested for cost reasons.
Without ever falling into sensationalism, the series remains in a strict narrative form and very respectful of the families of the victims. The emotions are contained, but we come out with icy blood.